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Disney Research on the quest to build a "physics engine" for game narratives

Disney Research on the quest to build a "physics engine" for game narratives

Kicking off Ludicious 2018 in Zurich, Disney Research associate research scientist Steven Poulakos gave an academic overview of narrative technologies and their impact on game design.

"We don't have anything like a physics engine for stories – yet," noted Poulakos, saying that currently we are in the "cave painting" phase of using computers to write stories.

He pointed to how game designers are turning to Hollywood for inspiration on narrative design, but that using non-interactive story design doesn't work well in an interactive medium.

The issue is that film and game storytelling lie on two ends of a spectrum, with "structure" on the film side and "agency" on the game side.

Middle ground

What Poulakos is interested in is how to reach a middle point on this spectrum, which he believes can be achieved with a "physics engine for stories".

Disney Research has been exploring this through automated story production, where an author draws a brief outline and then a computer fills in the blanks and builds a story from the storyboard provided.

Poulakos also pointed to "crowdsourced story generation", in which an AI generated a plot for a bank robbery by learning various plot points that were crowdsourced for the project.

He warned however that while these technologies might appear to be advanced, there is still a long way to go before it can be effectively applied in games.

He also said that future technologies should keep the author in the loop with narrative design and thinks that it might be impossible to ever fully remove people from the process, as "humans are the better storytellers".


Editor

Ric is the Editor of PocketGamer.biz, having started out as a Staff Writer on the site back in 2015. He received an honourable mention in both the MCV and Develop 30 Under 30 lists in 2016 and refuses to let anyone forget about it.

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