Eye-catching
How to create effective visuals for mobile advertising
Hélène Queriault on making good ads
Skywalking
How Kabam found balance in the force as it worked on Star Wars Uprising
Daniel Erickson on a star-sized IP
Straight Up
F2P doesn't work for small indies now, says Flick Fishing dev Strange Flavour as it reverts to paid
Discovery and player perceptions both challenges
All In
Inside the Game: How to get a game writing job
Lessons from Luke Georgette
Little And Large
Indie learnings from exhibiting at Gamescom 2015
Two speak out
Nothing Hidden
Isn't it time to push for open-sourced SDKs?
Time to be open
Catch 'em All Randomly
Should western F2P designers be using more Gacha, Fusion and Collection mechanics?
The Monetisation Mavens debate
Woman Up
Why we need a Women in Games conference
Oestrogen in video game development
Good Advice
How IndieDevKit can educate indie devs for business success
Make informed decisions
Primed For Action
Why pre-registration campaigns are key to Japanese UA
Get them pre-launch
The Other Side
Devs responsible for how they implement our #actuallyfree Underground system, says Amazon
The motivations and goals behind the initiative
Spending Power
Glu CEO Niccolo de Masi on comparing whale behavior in Kim Kardashian: Hollywood and Deer Hunter 2014
Free and flexible
Global Ambition
Hero Entertainment on bringing its FPS eSports hit Crisis Action to the west
Crisis Action has 10 million DAUs in greater China, looking west for more
Building Up
#PGCHelsinki speaker Johannes Peltola on rebuilding SimCity for the F2P generation
What to expect at PG Connects Helsinki 2015
Thinking Bigger
Is the $10 billion mobile game franchise inevitable?
Our Mavens ponder big numbers
Value Of Nothing
Why Amazon Underground is broken for F2P games
Ultimate Robot Fighting borked
Micro-transact That
Can Nintendo and Amazon disrupt the free-to-play market with a new business paradigm?
Two new approaches
Time To Watch
The fast-growing eSports juggernaut is now going mobile
We're moving from gamers to spectators says James King
Road Ahead
Mobile remains a very viable market for indies, says Tilting Point's new CPO
Harder but not impossible
German Powerhouse
How Flaregames found success by learning from its failures
Klaas Kersting is on the up
Double Whammy
Inside the Game: How Hollywood U went from greenlight to App Store in 4 months
Royal McGraw on doubling up
Changing Direction
Why Tequila Games developed Earthcore; the game that wanted to be a CCG
Radek Smektala and Marcin Traczyk on the making of Tequila's CCG
Try Again
In the Games-as-a-Service market, is there any place for a sequel?
The Pro and Cons explained
And The Winner Is?
What's the point of the IGF Awards anyway?
The Indie Mavens ponder its value
From The Horse's Mouth
#PGCHelsinki speaker Peter Willington on trends in mobile games PR from a journalist's point of view
What to expect at PG Connects Helsinki 2015
Keep Them Coming Back
The four pillars of retention
Bee7's John Rankin wants you to read to the end
Dynamic
F2P market is evolving faster than game diversity, argues #PGCHelsinki speaker Lasse Seppanen
What to expect at PG Connects Helsinki 2015
Play Nice
#PGCHelsinki speaker Shin Kanaoya on why western games need to be more shinsetsu to Japanese gamers
What to expect at PG Connects Helsinki 2015
Tweet Tweet
How Jonatan Crafoord squeezed the entire audio for Angry Birds 2 into 10Mb
Rovio Stockholm's audio director takes us behind the scenes on Angry Birds 2's audio
Action Stations
Inside the Game: How to deal with a bug that kills your live game
Kara Loo on staying calm and not panicking
Get Hired
How to get a job at one of Remote Control Productions' 14 studios
Creative Producer Knut Gollert reveals top tips
Concentrated Data
#PGCHelsinki speaker Allison Bilas on the secret sauce for F2P game success
What to expect at PG Connects Helsinki 2015
Always On
#PGCHelsinki Finnovator speaker Aki Järvilehto on the wearables opportunity
What to expect at PG Connects Helsinki 2015
Lets Play
How important is playing other people's games for indie developers?
Indie Mavens on balancing work and play
Bursting With Advice
Seven tips for a successful mobile burst campaign that you can't afford to ignore
Stanislava Todorova shares her experience
Two And Growing
How to get a job at Helsinki mobile games indie Two Men and a Dog
GM Ville Heijari reveals top tips
Indie Undercut
I like it, but I wish Zynga hadn't made Mountain Goat Mountain
Carter Dotson is conflicted
Golden Goose
Why did Rovio wait so long to bring its core franchise into the F2P era?
Sune Blindkilde Thorsen considers history
Messiah Complex
Bethesda vs. the F2P bogeyman: Why Fallout Shelter's success is built upon a false premise
Pete Hines' messaging has been off-key
Ambitious Tactics
Why Gumi's new Berlin studio is embracing risk to reinvent F2P mobile strategy gaming
Are Mack Growen on building something new
Vice Versa
Learn how to break into the Japanese market via lessons in the other direction
Cybird's David McCarthy is on a two-way street
Apply Now
How to get a job at Berlin casual developer GameDuell
Head of HR Rüdiger von Hennig reveals top tips
Bigger Cake
N3TWORK's Neil Young on learning from Japan to drive 10-fold growth in western mobile game markets
The only way is up
Bite Of The Apple
What's ideal price point for mobile games in India?
Our India Mavens sift through the pricing labels
Shoulders Of Giants
Who are your game industry heroes?
Indie Mavens spread the love
Let's Play
Why Apple needs to get into the mobile game publishing business
Carter Dotson has a radical proposal
Looking Ahead
Flashback Friday: Neil Young on how ngmoco and Freeverse will dominate the iPhone free2play market
40 titles planned for release over the next 12 months
Secret Recipe
Twitch and Reddit can be a UA goldmine, says Miniclip following 10M downloads of Agar.io
Saad Choudri shares the success behind Agar.io
Moba Or Moba$$$
Is Super Evil's longterm approach to Vainglory monetisation coherent?
Our Monetizer Mavens look ahead
Concentrating
Inside the Game: Growing pains of taking a company of 10 to 40 (in the same office)
Kara Loo is sitting at a small desk