Music

Space Ape's Simon Hade: “Country Star benefits from several years of live ops R&D right out of the gate”

Vanesa Tate, Head of Audio at King, talks to us about the transition from movies to games

POC in Mobile: Chase Bethea's journey as a game composer and the many benefits of game jams
"There's no need to wait because the longer you do, the more opportunities will pass you by"
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Interview
Aug 7th, 2020

POC in Mobile: Why Amanotes publishing manager Micke Joseph Moisa believes creative freedom is key to better diversity
"I don’t think people should go the extra mile to prove more than non-coloured people."

Interview: HB Studios' senior audio designer John McCarthy on the music and commentary of PGA Tour 2K21
"I think that presenting it in a second-person POV is the part that catches people by surprise"

The pitfalls of using library music: Five reasons your approach to music is wrong
LabelRadar CEO Ed Brew explains why you shouldn't just go straight to the music libraries
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Interview
Mar 12th, 2019

Jobs in Games: Florence composer Kevin Penkin on how to get a job creating music for games
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